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home·artworks·Maria De Fonseca, Daughter of a Portuguese-angolan Trader, Said to Be the Favourite Wife of Msiri, King of Katanga, in 1892.
Maria De Fonseca, Daughter of a Portuguese-angolan Trader, Said to Be the Favourite Wife of Msiri, King of Katanga, in 1892. by Edouard Riou

plate no. 0781

Maria De Fonseca, Daughter of a Portuguese-angolan Trader, Said to Be the Favourite Wife of Msiri, King of Katanga, in 1892.

Edouard Riou

oilRomanticismillustrationportraitfigurejewelryhairclothing
some experience helpful

Recreating this image will help students understand line weight and hatching techniques to create form and value. It also provides practice in rendering textures and details with a limited palette.

technical profile

palette complexity
1
brushwork visibility
1
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Outline the main shapes of the head, body, and clothing.

  3. step 03

    Start adding the primary lines that define the contours and major forms.

  4. step 04

    Use hatching and cross-hatching to build up the darker values and create shadows.

  5. step 05

    Pay close attention to the direction and spacing of the lines to suggest form and texture.

  6. step 06

    Render the details of the hair, jewelry, and clothing, using finer lines and more intricate patterns.

  7. step 07

    Refine the values and details, adding highlights and deepening shadows as needed.

  8. step 08

    Add the signature and any other text.

color palette

primary · black · white

secondary ·

This image relies solely on the contrast between black and white, so no color mixing is required.

techniques

  • ·Hatching
  • ·Cross-hatching
  • ·Line weight variation
  • ·Contour drawing

common pitfalls

  • →Creating lines that are too uniform in weight and spacing.
  • →Failing to establish a clear light source.
  • →Overworking the details and losing the overall form.
  • →Not paying attention to the direction of the lines, which can flatten the image.

materials

surface · Smooth drawing paper

required

  • ·Pencil (HB or 2B)
  • ·Eraser
  • ·Drawing paper
  • ·Fine liner pens (various sizes)
  • ·Ruler

optional

  • ·Tracing paper
  • ·Graphite pencils (various grades)

Using a variety of fine liner pens will allow for greater control over line weight.

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