apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Margot
Margot by Mary Cassatt

plate no. 0149

Margot

Mary Cassatt, 1902

pastelImpressionismportraitfigureportraitchildhatclothingbackground
some experience helpful

Recreating this painting will help students develop skills in pastel layering, color blending, and capturing soft, diffused light. It also provides practice in portraiture and rendering fabric textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall color scheme by laying down broad strokes of pastel for the background, figure, and clothing.

  3. step 03

    Begin to build up layers of color, focusing on the shadows and highlights to create depth and form.

  4. step 04

    Pay close attention to the skin tones, using subtle variations in color to capture the softness of the child's face.

  5. step 05

    Add details to the hat and clothing, using short, broken strokes to create texture.

  6. step 06

    Refine the edges and contours of the figure, softening them to create a sense of atmosphere.

  7. step 07

    Add final highlights and details to the face and hands.

  8. step 08

    Blend areas as needed to create smooth transitions between colors.

color palette

primary · red · yellow · white · blue

secondary · green · brown · gray

Mix various shades of red and yellow to achieve the warm tones of the clothing and background. Use white to lighten colors and create highlights. Mix blue and red to achieve the color of the hat.

techniques

  • ·pastel layering
  • ·color blending
  • ·soft edges
  • ·hatching
  • ·scumbling

common pitfalls

  • →Overblending, resulting in a muddy appearance.
  • →Using too much pressure, making the colors appear flat.
  • →Neglecting the subtle variations in skin tone.
  • →Ignoring the importance of soft edges.
  • →Not establishing a clear value structure early on.

materials

surface · pastel paper

required

  • ·assorted soft pastels
  • ·pastel paper
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·drawing board
  • ·paper towels

optional

  • ·pastel pencils
  • ·workable fixative
  • ·palette for mixing pastels

Choose a pastel paper with a slightly textured surface to grip the pastel. Use a workable fixative to prevent the pastels from smudging too easily.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann