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home·artworks·Margaret with two orphans
Margaret with two orphans by Jacques Amans

plate no. 3316

Margaret with two orphans

Jacques Amans, 1842

oilRomanticismportraitfiguresportraitchildrenbuildingskyclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to create a sense of depth and atmosphere with muted colors.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements.

  2. step 02

    Establish the background colors, focusing on the subtle gradations in the sky and building.

  3. step 03

    Block in the main shapes of the figures, paying attention to proportions and pose.

  4. step 04

    Start building up the skin tones, using thin layers of paint and careful blending.

  5. step 05

    Define the details of the clothing, including the folds and shadows.

  6. step 06

    Add the architectural details, such as the window and tower.

  7. step 07

    Refine the facial features, focusing on capturing the likeness of each figure.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna

Mix various combinations of white, black, umber, and sienna to achieve the muted tones of the background and clothing. Use red and white with a touch of yellow ochre for the skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the figures.
  • →Ignoring the subtle gradations of color in the background.
  • →Creating harsh lines or edges, rather than soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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