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home·artworks·Margaret Crease Stackpole Welch
Margaret Crease Stackpole Welch by Gilbert Stuart

plate no. 4773

Margaret Crease Stackpole Welch

Gilbert Stuart, 1815

oilRomanticismportraitportraitfiguredresshairshawlface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering of fabric textures. It also provides practice in capturing a likeness and conveying a sense of personality.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and shawl.

  2. step 02

    Establish the background color with a thin, even wash.

  3. step 03

    Block in the main areas of skin tone, dress, and shawl with simplified colors.

  4. step 04

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the hair, focusing on the overall shape and the arrangement of curls.

  6. step 06

    Add highlights and shadows to the dress and shawl to create a sense of volume and depth.

  7. step 07

    Refine the details of the face, including the eyes, lips, and subtle variations in skin tone.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · yellow ochre · cadmium red · burnt umber

secondary · ultramarine blue · raw sienna · alizarin crimson

Mix skin tones by blending white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue to cool down skin tones. The red shawl is a mix of cadmium red and alizarin crimson, with white added for highlights.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong
  • →Overworking the details too early
  • →Using colors that are too saturated
  • →Failing to create a sense of depth and volume

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

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