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home·artworks·Marco Barbarigo
Marco Barbarigo by Domenico Tintoretto

plate no. 0593

Marco Barbarigo

Domenico Tintoretto

oilMannerism (Late Renaissance)portraitportraitfigureclothinghatscrollmale
experienced study

Recreating this painting would help students develop skills in portraiture, including capturing likeness and rendering complex drapery. It also provides practice in glazing techniques to achieve rich color depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure and scroll.

  2. step 02

    Establish the background with thin washes of color, focusing on creating a sense of depth.

  3. step 03

    Block in the main areas of color for the face, clothing, and hat, paying attention to value relationships.

  4. step 04

    Begin layering glazes to build up the color intensity and create subtle transitions in the skin tones and fabrics.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  6. step 06

    Add highlights and shadows to the clothing and scroll to create a sense of volume and texture.

  7. step 07

    Carefully render the details of the hat and jewelry, paying attention to the play of light and shadow.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · red ochre · ivory black · titanium white · burnt umber

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the rich reds and browns by layering glazes of red ochre, burnt umber, and cadmium red. Use ultramarine blue and ivory black to create the dark background and shadows.

techniques

  • ·glazing
  • ·portraiture
  • ·drapery rendering
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red ochre, ivory black, titanium white, burnt umber, cadmium red, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)
  • ·easel

Use high-quality oil paints for best results. Allow each layer of glaze to dry completely before applying the next.

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