apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Marché À Tunis
Marché À Tunis by Achille Beltrame

plate no. 2458

Marché À Tunis

Achille Beltrame, 1912

oilArt Nouveau (Modern)genre paintingmarketfiguresbuildingsskyarchitecturecityscape
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering figures in a busy scene. It also provides practice in capturing the effects of light and shadow on various surfaces.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, and the horizon line.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the sky with broad strokes, blending the colors to create a soft, atmospheric effect.

  4. step 04

    Paint the distant buildings and the minaret, using lighter values and less detail to create depth.

  5. step 05

    Add the figures in the marketplace, focusing on their general shapes and colors.

  6. step 06

    Develop the details of the foreground, including the buildings, stalls, and figures.

  7. step 07

    Refine the colors and values, paying attention to the subtle variations in light and shadow.

  8. step 08

    Add final details, such as highlights and textures, to bring the painting to life.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · alizarin crimson · viridian

Achieve the atmospheric sky by mixing blues, whites, and touches of pink. Use burnt sienna and ultramarine to create a range of browns and grays for the buildings and figures. Mix yellow ochre with white and small amounts of other colors to create the light stone colors.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·alla prima

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a clear light source
  • →Ignoring the effects of atmospheric perspective
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·oil paints

optional

  • ·medium gel
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois