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home·artworks·March in the Birch Woods
March in the Birch Woods by Clarence Gagnon

plate no. 5448

March in the Birch Woods

Clarence Gagnon, 1919

oilImpressionismlandscapetreessnowhorsefigureforestwinter
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the texture of tree bark and snow. It also provides practice in depicting figures and animals within a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figure, and horse.

  2. step 02

    Establish the background sky and distant trees with thin washes of color.

  3. step 03

    Begin layering the birch trees, paying attention to the variations in color and tone.

  4. step 04

    Block in the general shapes and colors of the figure and horse.

  5. step 05

    Add details to the trees, including the bark patterns and branches.

  6. step 06

    Refine the figure and horse, adding details to their forms and clothing/harness.

  7. step 07

    Paint the snow, capturing the shadows and highlights.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · titanium white · ultramarine blue · burnt sienna · yellow ochre

secondary · cadmium red · raw umber · sap green

Mix white with small amounts of blue and sienna to create the cool tones of the snow and birch bark. Use yellow ochre and burnt sienna for the warm tones of the trees and horse.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the trees, resulting in a cluttered appearance.
  • →Failing to capture the subtle color variations in the snow.
  • →Ignoring the atmospheric perspective, causing the background to appear too sharp.
  • →Not paying attention to the proportions of the figure and horse.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#4, #8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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