
plate no. 9720
Parmigianino, 1526
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and fabric textures. It also provides practice in creating depth and form using subtle value changes and glazing techniques.
technical profile
approach — 8 steps
Prepare a toned canvas with a warm underpainting (burnt umber or similar).
Lightly sketch the main shapes and proportions of the figure, book, and background.
Block in the main areas of color, focusing on the overall value relationships.
Start building up the skin tones using layers of thin paint, blending carefully.
Define the details of the face, including the eyes, nose, and mouth.
Work on the clothing, paying attention to the folds and shadows.
Add details to the book and the background.
Refine the overall composition and add any final touches.
color palette
primary · ivory black · raw umber · burnt umber · titanium white
secondary · yellow ochre · cadmium red light
Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use thin glazes of umber and black to create shadows and depth. Mix black and umber to create the dark tones in the clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Apollo and the Muses (Parnassus)
Lavinia Fontana

Portrait Of Don Rodrigo Vasquez
El Greco

Madonna Bolognini
Correggio

The Unhappy Lot of the Rich
Maerten van Heemskerck

Head of a Woman
Orazio Gentileschi

The Deposition
Giorgio Vasari

Portrait of a Man Holding a Letter
Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana
Bartolomeo Passerotti