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home·artworks·Man in Ottoman dress
Man in Ottoman dress by Giuseppe Tominz

plate no. 2197

Man in Ottoman dress

Giuseppe Tominz, 1839

oil, canvasRomanticismportraitportraitmanottoman dressturbanletterjewelry
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice in depicting complex textures and patterns in clothing.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background color with a thin wash of muted green and brown tones.

  3. step 03

    Block in the main shapes of the figure, including the turban, face, clothing, and hands, using simplified color masses.

  4. step 04

    Refine the facial features, paying close attention to the light and shadow to create a sense of volume and depth.

  5. step 05

    Develop the details of the turban, carefully rendering the intricate patterns and textures.

  6. step 06

    Add details to the clothing, including the folds and drapery, and the subtle variations in color and tone.

  7. step 07

    Paint the letter and jewelry, focusing on accurate shapes and highlights.

  8. step 08

    Make final adjustments to the overall composition, refining the details and ensuring a harmonious balance of colors and values.

color palette

primary · ivory black · raw umber · cadmium red light · yellow ochre

secondary · viridian · gold · titanium white · burnt sienna

Mix skin tones by blending white, yellow ochre, cadmium red, and a touch of raw umber. Achieve the dark greens of the clothing by mixing ivory black, viridian, and a touch of raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and volume.
  • →Getting the skin tones to look muddy.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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oil painting for beginners →how to learn by studying the masters →
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