apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Male Figure Standing
Male Figure Standing by Edward Wadsworth

plate no. 7582

Male Figure Standing

Edward Wadsworth, 1911

oilImpressionismnude painting (nu)figurenudestudioartistspaintingswindow
some experience helpful

Recreating this painting will help students develop skills in figure drawing, understanding anatomy, and creating subtle tonal variations to represent form and light. It also provides practice in capturing the atmosphere of an interior space.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure and the surrounding environment, paying attention to proportions and perspective.

  2. step 02

    Establish the overall tonal values of the background, figure, and foreground using thin washes of color.

  3. step 03

    Begin building up the form of the figure by layering in darker and lighter tones, focusing on the play of light and shadow.

  4. step 04

    Refine the details of the figure, such as the musculature and the contours of the body.

  5. step 05

    Add details to the background, including the paintings on the wall and the figures of the artists.

  6. step 06

    Adjust the overall composition and tonal balance to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Let dry and add a varnish layer.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Achieve skin tones by mixing raw umber, yellow ochre, and titanium white. Use burnt sienna and ultramarine blue to create darker shadows and cooler tones.

techniques

  • ·tonal layering
  • ·blending
  • ·figure drawing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Failing to create a sense of depth and atmosphere.
  • →Using too much detail in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·#4 round brush

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann