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Making a Bunch of Flowers by Janos Tornyai

plate no. 9088

Making a Bunch of Flowers

Janos Tornyai, 1933

oilImpressionismgenre paintingfigurewindowflowersinteriorlightstill life
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow, and in creating a sense of depth through layering and color variations. It also provides practice in depicting figures in a loose, impressionistic style.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, window, and flower arrangement.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes.

  3. step 03

    Focus on the window as the main light source and build up the surrounding colors and values accordingly.

  4. step 04

    Start layering colors to create depth and dimension in the figure and flower arrangement.

  5. step 05

    Use thicker paint and visible brushstrokes to add texture and detail to the focal points.

  6. step 06

    Pay attention to the color temperature of the light and shadow areas.

  7. step 07

    Refine the details and adjust the values to create a cohesive and harmonious composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism and depth.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · sap green · titanium white

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Use yellow ochre and white for the warm light coming through the window. Mix greens from blue and yellow, and add red to create muted tones.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to capture the subtle color variations in the light and shadow areas.
  • →Creating muddy colors by overmixing on the palette.
  • →Ignoring the importance of value contrast in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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