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home·artworks·Maine Coast near Bar Harbor
Maine Coast near Bar Harbor by Hermann Ottomar Herzog

plate no. 5159

Maine Coast near Bar Harbor

Hermann Ottomar Herzog

oil, canvasRomanticismmarinaoceanrockswavesskycloudscoast
some experience helpful

This painting offers a good opportunity to practice blending techniques for creating atmospheric perspective and rendering dynamic waves. Students can also learn to simplify complex rock formations using basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the major rock formations.

  2. step 02

    Establish the sky with broad strokes, blending dark grays and blues to create a stormy atmosphere.

  3. step 03

    Block in the ocean using dark blues and greens, paying attention to the direction of the waves.

  4. step 04

    Begin adding highlights to the waves using white and light green, focusing on the areas where the water is crashing.

  5. step 05

    Develop the rock formations with a range of browns and grays, adding highlights to suggest texture and form.

  6. step 06

    Refine the details of the waves and rocks, adding smaller splashes and shadows.

  7. step 07

    Add final touches, such as the birds in the sky, to enhance the sense of atmosphere and depth.

  8. step 08

    Glaze to unify the painting

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · viridian green

Mix dark grays for the sky by combining ultramarine blue, burnt umber, and white. Create the ocean colors by blending ultramarine blue, viridian green, and a touch of burnt umber. Use white to lighten and create highlights.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details of the waves and rocks, resulting in a stiff and unnatural appearance.
  • →Failing to create a sense of depth by not varying the values and colors of the sky and ocean.
  • →Using too much white, which can make the painting look chalky.
  • →Not establishing a strong focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·linseed oil
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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