apprentice
artistsserieslearnchatartworkscommunity galleryblog
apprentice

deliberate practice for serious artists

writingsourcesmethodsaboutgalleryprivacyterms
built by reducibl.com
home·artworks·Maine Coast Booths Bay
Maine Coast Booths Bay by Charles Reiffel

plate no. 2058

Maine Coast Booths Bay

Charles Reiffel

oilImpressionismlandscapecoastlinerockswatertreesskyboat

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the land, water, and sky, paying attention to the horizon line and major rock formations.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the sky, water, and land.

  3. step 03

    Begin building up layers of color on the rocks, using short, broken brushstrokes to create texture and form.

  4. step 04

    Add details to the trees and foliage, using a variety of greens, yellows, and browns.

  5. step 05

    Paint the boat in the distance, simplifying its form and using muted colors to create atmospheric perspective.

  6. step 06

    Refine the details of the foreground, adding highlights and shadows to the rocks and foliage.

  7. step 07

    Add final touches to the sky and water, blending colors and softening edges.

  8. step 08

    Review and adjust the overall composition, ensuring that the focal point is clear and the colors are balanced.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt sienna · sap green · cadmium yellow

Mix various shades of blue and white for the sky and water. Use yellow ochre and burnt sienna to create warm tones for the rocks and foliage. Mix greens by combining blue and yellow.

techniques

  • ·broken brushstrokes
  • ·color mixing
  • ·layering
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too saturated and creating a harsh effect.
  • →Failing to establish a clear focal point.
  • →Ignoring the principles of atmospheric perspective and creating a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brushes (sizes 4, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann