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home·artworks·Maids from Amsterdam
Maids from Amsterdam by Isaac Israels

plate no. 5068

Maids from Amsterdam

Isaac Israels, 1900

oilImpressionismgenre paintingfiguresnursesbuildingsstreetcityscape
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with loose brushstrokes and mixing subtle color variations to create a sense of atmosphere. It's also a good exercise in simplifying complex scenes and focusing on the essential elements.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figures and the main architectural elements.

  2. step 02

    Block in the large shapes of color, starting with the background and working towards the foreground.

  3. step 03

    Establish the basic values (light and dark) in the painting, paying attention to the overall light source.

  4. step 04

    Begin to refine the shapes of the figures, adding details to their clothing and faces.

  5. step 05

    Use broken brushstrokes to create texture and visual interest in the background and foreground.

  6. step 06

    Mix subtle color variations to capture the nuances of light and shadow.

  7. step 07

    Add final details, such as highlights and shadows, to create a sense of depth and realism.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · titanium white · raw umber · ivory black · yellow ochre

secondary · ultramarine blue · burnt sienna

Mix white with small amounts of raw umber and yellow ochre to create the various shades of gray and beige. Use ultramarine blue to cool down the grays and add depth to the shadows. Burnt sienna can be used to warm up the colors and add highlights.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and creating a cluttered composition.
  • →Failing to capture the subtle color variations in the light and shadow.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. A limited palette is recommended to achieve the muted tones of the original painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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