apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Magu
Magu by Fujishima Takeji

plate no. 0645

Magu

Fujishima Takeji, 1937

oilImpressionismportraitfigureportraittraditional clothingheaddressofferingAsian
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. It also provides practice in simplifying complex details into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, headwear, and offering.

  2. step 02

    Block in the background with a thin layer of blue, varying the tone slightly.

  3. step 03

    Establish the main skin tones using a mix of browns, reds, and yellows, paying attention to highlights and shadows.

  4. step 04

    Paint the red and black clothing, focusing on the folds and highlights.

  5. step 05

    Add the details of the headdress, simplifying the intricate patterns.

  6. step 06

    Paint the offering in the bowl, using yellows, oranges, and browns to create a sense of texture.

  7. step 07

    Refine the facial features, paying attention to the eyes, nose, and mouth.

  8. step 08

    Add final details and highlights to the entire painting, adjusting values as needed.

color palette

primary · ultramarine blue · burnt umber · cadmium red · yellow ochre

secondary · titanium white · ivory black · cadmium yellow light

Mix skin tones using burnt umber, yellow ochre, cadmium red, and white. Achieve the reds by mixing cadmium red with a touch of burnt umber. Darken colors with ivory black and lighten with titanium white.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·color mixing
  • ·simplifying details
  • ·visible brushstrokes

common pitfalls

  • →Overworking the details
  • →getting skin tones muddy
  • →not establishing a clear value structure
  • →making the brushstrokes too uniform

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann