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home·artworks·Magdalena Reading
Magdalena Reading by Piero di Cosimo

plate no. 3685

Magdalena Reading

Piero di Cosimo, 1500

oilHigh Renaissancereligious paintingfigurewomanbookdresslandscapeflower
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and drapery, and creating a sense of depth through subtle value changes. It also provides practice in rendering fine details like hair and jewelry.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, book, and background elements.

  2. step 02

    Block in the main color areas: skin, dress, background, and book.

  3. step 03

    Refine the skin tones, paying attention to subtle shifts in value and color.

  4. step 04

    Develop the drapery, creating folds and shadows to give the fabric volume.

  5. step 05

    Add details to the hair, jewelry, and book.

  6. step 06

    Paint the background elements, including the landscape and flower.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details.

color palette

primary · yellow ochre · cadmium red · viridian green · ultramarine blue

secondary · burnt umber · titanium white · ivory black

Mix skin tones using yellow ochre, cadmium red, and titanium white. Achieve the green of the dress by mixing viridian green with yellow ochre. Create shadows by adding burnt umber to the base colors.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture
  • ·drapery

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the figure.
  • →Ignoring subtle value changes, resulting in a flat, lifeless painting.
  • →Getting lost in details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·yellow ochre acrylic paint
  • ·cadmium red acrylic paint
  • ·viridian green acrylic paint
  • ·ultramarine blue acrylic paint
  • ·burnt umber acrylic paint
  • ·titanium white acrylic paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use a smooth canvas for easier blending. Acrylics are suggested for beginner friendliness.

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oil painting for beginners →how to learn by studying the masters →
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