apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Madonna with Child and Two Angels Gentile da Fabriano
Madonna with Child and Two Angels Gentile da Fabriano by Gentile da Fabriano

plate no. 6915

Madonna with Child and Two Angels Gentile da Fabriano

Gentile da Fabriano, 1415

panel, temperaInternational Gothicreligious paintingMadonnaChildAngelsReligious FiguresGold LeafHalo
some experience helpful

Recreating this painting will help students develop skills in figure painting, drapery rendering, and applying gold leaf. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the surface with gesso and let it dry completely.

  2. step 02

    Create a detailed underdrawing of the composition, paying attention to proportions and perspective.

  3. step 03

    Apply a thin layer of imprimatura (a toned ground) to the canvas.

  4. step 04

    Block in the main shapes and colors of the figures and background.

  5. step 05

    Develop the values and details of the figures, starting with the darkest areas and working towards the highlights.

  6. step 06

    Carefully render the drapery folds and textures, using subtle gradations of color.

  7. step 07

    Apply gold leaf to the halos and background, following the contours of the shapes.

  8. step 08

    Add final details and glazes to refine the painting and create a sense of depth.

color palette

primary · Ivory Black · Yellow Ochre · Vermillion · Gold

secondary · Burnt Umber · Cadmium Yellow · Alizarin Crimson

Mix ivory black and yellow ochre to create the dark greens of the Madonna's robe. Use vermillion and alizarin crimson for the reds in the undergarments. Mix yellow ochre and cadmium yellow for the angels' robes.

techniques

  • ·Underpainting
  • ·Glazing
  • ·Dry Brushing
  • ·Gold Leaf Application
  • ·Chiaroscuro

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Applying gold leaf unevenly
  • →Incorrect proportions of the figures

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Gesso
  • ·Acrylic paints
  • ·#2 Round Brush
  • ·#6 Flat Brush
  • ·Gold leaf
  • ·Size (adhesive for gold leaf)

optional

  • ·Palette knife
  • ·Retarder medium
  • ·Varnish

Use high-quality acrylic paints for best results. Apply the gold leaf carefully to avoid tearing or wrinkling.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Calendar: January (Banquet Scene)

Calendar: January (Banquet Scene)

Limbourg brothers

Archangel Michael

Archangel Michael

Álvaro Pires de Évora

Christ as Man of Sorrow

Christ as Man of Sorrow

Stefan Lochner

Virgem Com O Menino

Virgem Com O Menino

Álvaro Pires de Évora

Petrarch's Virgil (title page)

Petrarch's Virgil (title page)

Simone Martini

David Imagines Christ Elevated Above All Other Beings

David Imagines Christ Elevated Above All Other Beings

Limbourg brothers

Heavenly Host

Heavenly Host

Limbourg brothers

Sts. Catherine, Hubert and Quirinus

Sts. Catherine, Hubert and Quirinus

Stefan Lochner