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home·artworks·Madonna with Child and St.Catherine, St.Nicolas and Donor Gentile da Fabriano
Madonna with Child and St.Catherine, St.Nicolas and Donor Gentile da Fabriano by Gentile da Fabriano

plate no. 6957

Madonna with Child and St.Catherine, St.Nicolas and Donor Gentile da Fabriano

Gentile da Fabriano, 1395

oilInternational Gothicreligious paintingMadonnaChildSaintsDonorReligious FiguresTrees
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in replicating the stylized aesthetic of the International Gothic style.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a warm, golden ground.

  2. step 02

    Lightly sketch the main figures and compositional elements, paying attention to proportions and placement.

  3. step 03

    Block in the main areas of color: the Madonna's robe, the saints' garments, the background, and the flesh tones.

  4. step 04

    Begin to develop the drapery folds and shadows, using subtle gradations of color.

  5. step 05

    Add details to the faces, hands, and other important features.

  6. step 06

    Paint the trees with angels, focusing on their stylized forms.

  7. step 07

    Refine the background and add any final details, such as the gold embellishments.

  8. step 08

    Apply a final varnish to protect the painting.

color palette

primary · Ultramarine Blue · Burnt Umber · Gold Ochre · Titanium White

secondary · Cadmium Red · Yellow Ochre · Ivory Black

Achieve the rich, dark blues by mixing ultramarine with burnt umber and a touch of black. Create the golden tones by layering gold ochre and yellow ochre. Flesh tones can be achieved by mixing titanium white, cadmium red, and a touch of yellow ochre.

techniques

  • ·Underpainting
  • ·Layering
  • ·Glazing
  • ·Dry Brushing
  • ·Blending

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall harmony.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth.

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic gesso
  • ·Oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Retouch varnish
  • ·Medium gloss

Use high-quality oil paints for best results. Prepare the canvas with several layers of gesso to create a smooth surface.

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