
plate no. 6957
Gentile da Fabriano, 1395
Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in replicating the stylized aesthetic of the International Gothic style.
technical profile
approach — 8 steps
Prepare the canvas with a warm, golden ground.
Lightly sketch the main figures and compositional elements, paying attention to proportions and placement.
Block in the main areas of color: the Madonna's robe, the saints' garments, the background, and the flesh tones.
Begin to develop the drapery folds and shadows, using subtle gradations of color.
Add details to the faces, hands, and other important features.
Paint the trees with angels, focusing on their stylized forms.
Refine the background and add any final details, such as the gold embellishments.
Apply a final varnish to protect the painting.
color palette
primary · Ultramarine Blue · Burnt Umber · Gold Ochre · Titanium White
secondary · Cadmium Red · Yellow Ochre · Ivory Black
Achieve the rich, dark blues by mixing ultramarine with burnt umber and a touch of black. Create the golden tones by layering gold ochre and yellow ochre. Flesh tones can be achieved by mixing titanium white, cadmium red, and a touch of yellow ochre.
techniques
common pitfalls
surface · Stretched canvas
required
optional
Use high-quality oil paints for best results. Prepare the canvas with several layers of gesso to create a smooth surface.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Calendar: January (Banquet Scene)
Limbourg brothers

Archangel Michael
Álvaro Pires de Évora

Christ as Man of Sorrow
Stefan Lochner

Virgem Com O Menino
Álvaro Pires de Évora

Petrarch's Virgil (title page)
Simone Martini

David Imagines Christ Elevated Above All Other Beings
Limbourg brothers

Heavenly Host
Limbourg brothers

Sts. Catherine, Hubert and Quirinus
Stefan Lochner