
plate no. 0240
Ambrogio Lorenzetti, 1319
Recreating this painting will help students develop skills in color mixing to achieve muted tones and understanding of simplified form representation. It also provides practice in creating geometric patterns and applying gold leaf or imitation gold.
technical profile
approach — 8 steps
Prepare a toned canvas with a warm underpainting (e.g., burnt umber).
Lightly sketch the main shapes: the Madonna, Child, throne, and frame.
Block in the large areas of color: the Madonna's robe (dark blue), her dress (red), the Child's garment (red), and the throne (brown/gold).
Begin layering and blending colors to create subtle variations in tone and form.
Carefully paint the details of the faces, hands, and feet, paying attention to proportions.
Add the geometric patterns on the throne and frame, using a fine brush.
Apply gold leaf or imitation gold to the halos and any other gilded areas.
Add final details and adjust colors as needed.
color palette
primary · Prussian blue · Venetian red · Yellow ochre · Titanium white
secondary · Burnt umber · Raw sienna
Mix Prussian blue and burnt umber to create the dark blue of the Madonna's robe. Use Venetian red and yellow ochre for the red garments, adding white to lighten. Mix yellow ochre and burnt umber for the gold tones.
techniques
common pitfalls
surface · Stretched canvas
required
optional
A smooth canvas is recommended. Consider using a gesso primer to prepare the surface.
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