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home·artworks·Madonna of Vico L'Abate
Madonna of Vico L'Abate by Ambrogio Lorenzetti

plate no. 0240

Madonna of Vico L'Abate

Ambrogio Lorenzetti, 1319

oilInternational Gothicreligious paintingMadonnachildreligious figurehalothronegeometric patterns
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and understanding of simplified form representation. It also provides practice in creating geometric patterns and applying gold leaf or imitation gold.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a warm underpainting (e.g., burnt umber).

  2. step 02

    Lightly sketch the main shapes: the Madonna, Child, throne, and frame.

  3. step 03

    Block in the large areas of color: the Madonna's robe (dark blue), her dress (red), the Child's garment (red), and the throne (brown/gold).

  4. step 04

    Begin layering and blending colors to create subtle variations in tone and form.

  5. step 05

    Carefully paint the details of the faces, hands, and feet, paying attention to proportions.

  6. step 06

    Add the geometric patterns on the throne and frame, using a fine brush.

  7. step 07

    Apply gold leaf or imitation gold to the halos and any other gilded areas.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · Prussian blue · Venetian red · Yellow ochre · Titanium white

secondary · Burnt umber · Raw sienna

Mix Prussian blue and burnt umber to create the dark blue of the Madonna's robe. Use Venetian red and yellow ochre for the red garments, adding white to lighten. Mix yellow ochre and burnt umber for the gold tones.

techniques

  • ·Layering
  • ·Blending
  • ·Glazing
  • ·Geometric pattern painting
  • ·Gilding (optional)

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Using colors that are too bright or saturated.
  • →Making the geometric patterns too perfect and losing the handmade feel.
  • →Overworking the details and losing the overall simplicity.

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic gesso
  • ·Prussian blue oil paint
  • ·Venetian red oil paint
  • ·Yellow ochre oil paint
  • ·Burnt umber oil paint
  • ·Titanium white oil paint
  • ·Assorted brushes (round and flat)

optional

  • ·Gold leaf or imitation gold
  • ·Palette knife
  • ·Retarder medium

A smooth canvas is recommended. Consider using a gesso primer to prepare the surface.

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