
plate no. 8315
Bernardino Luini, 1515
Recreating this painting will help students develop skills in portraiture, blending skin tones, and creating a sense of depth through subtle value changes. It also provides practice in rendering drapery and creating a focal point.
technical profile
approach — 8 steps
Create a light sketch outlining the main figures and composition.
Block in the background with a dark, neutral color.
Establish the basic skin tones for the Madonna and Child, focusing on highlights and shadows.
Begin layering and blending the skin tones to create smooth transitions.
Paint the drapery, paying attention to the folds and highlights.
Add details to the flower and the pot.
Paint the halos with thin gold paint.
Refine details and adjust values as needed.
color palette
primary · titanium white · cadmium red · ultramarine blue · yellow ochre
secondary · burnt umber · raw sienna · ivory black
Mix skin tones using white, red, yellow ochre, and a touch of blue or umber for shadows. Achieve the blue-green of the drapery by mixing ultramarine blue with a touch of yellow and white. Use thin glazes of burnt umber to create depth in the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to make it easier to judge values.
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