apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Madonna in Glory and Holy Ones
Madonna in Glory and Holy Ones by Benvenuto Tisi

plate no. 1455

Madonna in Glory and Holy Ones

Benvenuto Tisi, 1525

oilMannerism (Late Renaissance)religious paintingfiguresreligiouslandscapeangelsskyarchitecture
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in replicating complex compositions and subtle color gradations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and compositional elements.

  2. step 02

    Block in the basic shapes and colors of the background landscape and sky.

  3. step 03

    Establish the light and shadow patterns on the figures, starting with the Madonna.

  4. step 04

    Develop the details of the faces, hands, and drapery, paying attention to subtle color variations.

  5. step 05

    Paint the surrounding oval and the text, using a fine brush for precision.

  6. step 06

    Add the angels and other symbolic elements within the oval.

  7. step 07

    Refine the details of the figures in the foreground, including the books and clothing.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · red · blue · gold · earth tones

secondary · white · grey · green · brown

Achieve the rich reds by mixing crimson with a touch of brown. Create the blues by blending ultramarine with white. Use yellow ochre and burnt umber for the earth tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions in the figures.
  • →Inconsistent light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, blue, gold, white, black, yellow ochre, burnt umber)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti