apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Madonna dell'Orto (Venice) - Chapel Morosini - Angels carrying the censer (left)
Madonna dell'Orto (Venice) - Chapel Morosini - Angels carrying the censer (left) by Domenico Tintoretto

plate no. 1754

Madonna dell'Orto (Venice) - Chapel Morosini - Angels carrying the censer (left)

Domenico Tintoretto, 1627

oilMannerism (Late Renaissance)religious paintingangelcloudsfigurescenserwingsreligious
experienced study

Recreating this painting will help students develop skills in figure painting, particularly rendering skin tones and drapery, and understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the angel and the surrounding figures.

  2. step 02

    Establish the background with thin washes of muted browns and grays to create the cloud-like atmosphere.

  3. step 03

    Block in the main shapes of the angel's figure, paying attention to proportions and pose.

  4. step 04

    Begin layering colors on the figure, starting with the shadows and mid-tones.

  5. step 05

    Develop the drapery, focusing on the folds and highlights to create a sense of volume.

  6. step 06

    Add details to the face and hands, paying attention to the subtle shifts in color and value.

  7. step 07

    Paint the wings and the censer, adding highlights to create a sense of light and texture.

  8. step 08

    Refine the details and blend the edges to create a soft, atmospheric effect.

color palette

primary · raw umber · titanium white · cadmium yellow light · alizarin crimson

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of skin tones using white, yellow ochre, alizarin crimson, and a touch of raw umber. Create the cloud effects by mixing white with small amounts of raw umber and ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and volume in the figure.
  • →Incorrect proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium yellow light oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·gesso

Use high-quality oil paints for best results. Consider toning the canvas with a thin wash of raw umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti