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home·artworks·Madonna della Scala
Madonna della Scala by Correggio

plate no. 9170

Madonna della Scala

Correggio, 1523

frescoMannerism (Late Renaissance)religious paintingMadonnachildreligious figurefrescodrapery
some experience helpful

Recreating this painting will help students develop skills in blending skin tones and creating soft, diffused light. It also provides practice in rendering drapery and understanding classical composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and background elements, focusing on proportions and composition.

  2. step 02

    Establish the overall color scheme with thin washes of color, paying attention to the warm and cool tones.

  3. step 03

    Begin building up the skin tones with layers of blended colors, focusing on the subtle transitions between light and shadow.

  4. step 04

    Define the drapery with darker values and soft edges, creating a sense of depth and volume.

  5. step 05

    Add details to the faces, such as the eyes, nose, and mouth, using small brushes and precise strokes.

  6. step 06

    Refine the background with subtle variations in color and texture, creating a sense of atmosphere.

  7. step 07

    Glaze over the entire painting to unify the colors and create a soft, luminous effect.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the figures.

color palette

primary · raw umber · titanium white · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve skin tones by mixing white, red, and a touch of yellow ochre and raw umber. Use ultramarine blue mixed with white and a touch of raw umber for the drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·sfumato
  • ·blending
  • ·underpainting

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Using too much detail in the background and distracting from the main figures.
  • →Failing to create a sense of depth and volume in the drapery.
  • →Not paying attention to the subtle transitions between light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Raw umber oil paint
  • ·Titanium white oil paint
  • ·Cadmium red light oil paint
  • ·Ultramarine blue oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Retouch varnish
  • ·Medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas for a more traditional look.

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