apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Madonna and Sleeping Child with Three Angels
Madonna and Sleeping Child with Three Angels by Bernardino Luini

plate no. 9404

Madonna and Sleeping Child with Three Angels

Bernardino Luini, 1510

oilHigh Renaissancereligious paintingMadonnachildangelsfiguresreligiousdrapery
experienced study

Recreating this painting will help students develop skills in portraiture, figure drawing, and blending techniques to achieve soft transitions and realistic skin tones. It also provides practice in rendering drapery and creating a sense of depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background with dark, muted tones.

  3. step 03

    Block in the main shapes of the figures, paying attention to the light and shadow patterns.

  4. step 04

    Begin layering colors to build up the skin tones, using thin glazes and careful blending.

  5. step 05

    Define the drapery with highlights and shadows, creating a sense of volume and texture.

  6. step 06

    Add details to the faces, focusing on the eyes, nose, and mouth.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red · white · brown · yellow ochre

secondary · green · grey · pink

Achieve skin tones by mixing white, yellow ochre, and a touch of red or brown. Use glazes of red and brown to create depth in the shadows. Mix grey from white and black.

techniques

  • ·glazing
  • ·sfumato
  • ·portraiture
  • ·figure drawing
  • ·blending

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to create a sense of depth and volume in the figures.
  • →Ignoring the subtle value changes that create form.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, white, brown, yellow ochre, black, green)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael