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home·artworks·Madonna and Child with St. Elizabeth and St. John the Baptist
Madonna and Child with St. Elizabeth and St. John the Baptist by Andrea del Sarto

plate no. 2751

Madonna and Child with St. Elizabeth and St. John the Baptist

Andrea del Sarto, 1529

oil, woodMannerism (Late Renaissance)religious paintingfiguresreligiousMadonnachildlandscapeclothing
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and achieving soft, blended transitions in skin tones. It also provides practice in creating a harmonious color palette with subtle variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background with broad, muted tones, suggesting a landscape.

  3. step 03

    Block in the main colors of the figures' clothing and skin, paying attention to the overall color harmony.

  4. step 04

    Begin to refine the forms of the figures, adding details and shadows to create depth.

  5. step 05

    Work on the drapery, carefully observing the folds and highlights to create a sense of volume.

  6. step 06

    Develop the facial features, paying attention to the subtle expressions and details.

  7. step 07

    Add the halos and any other small details.

  8. step 08

    Glaze and adjust colors as needed to achieve the desired effect.

color palette

primary · rose madder · ultramarine blue · yellow ochre · ivory black

secondary · raw umber · titanium white · cadmium yellow light

Achieve the skin tones by mixing white, yellow ochre, and a touch of rose madder. Use ultramarine blue and white for the cool tones in the drapery. Mix raw umber and black for the darker shadows.

techniques

  • ·glazing
  • ·sfumato
  • ·chiaroscuro
  • ·blending
  • ·figure drawing

common pitfalls

  • →getting the proportions of the figures wrong
  • →overworking the details
  • →using colors that are too bright or saturated
  • →failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes
  • ·flat brushes
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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