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home·artworks·Madonna and Child with St. Elisabeth, the Infant St. John, and Two Angels
Madonna and Child with St. Elisabeth, the Infant St. John, and Two Angels by Andrea del Sarto

plate no. 6108

Madonna and Child with St. Elisabeth, the Infant St. John, and Two Angels

Andrea del Sarto, 1516

oil, panelHigh Renaissancereligious paintingfiguresreligiouschildrenangelsdraperyfamily
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and creating subtle skin tones. It also provides practice in creating a balanced composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the forms with layers of paint, focusing on the light and shadow.

  4. step 04

    Develop the skin tones by layering and blending different shades of pink, yellow, and brown.

  5. step 05

    Render the drapery with careful attention to the folds and highlights.

  6. step 06

    Add details to the faces and hands, paying attention to the expressions and gestures.

  7. step 07

    Refine the overall composition and adjust the values as needed.

  8. step 08

    Add final glazes to enhance the colors and create a sense of depth.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · titanium white

secondary · burnt umber · raw sienna · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. Use ultramarine blue and burnt umber to create deep shadows. Mix white with small amounts of blue and red for highlights on drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·sfumato
  • ·layering

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh shadows
  • →Muddy skin tones
  • →Lack of depth in the composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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