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home·artworks·Madonna and Child with Saints and Angels
Madonna and Child with Saints and Angels by Piero di Cosimo

plate no. 4958

Madonna and Child with Saints and Angels

Piero di Cosimo, 1520

oilHigh Renaissancereligious paintingfiguresreligiouslandscapeangelschildMadonna
experienced study

Recreating this painting will help students develop skills in figure drawing, blending techniques for skin tones, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering drapery and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main color areas for the background, including the sky, landscape, and drapery.

  3. step 03

    Begin layering the skin tones, starting with a base color and gradually adding highlights and shadows.

  4. step 04

    Refine the details of the figures, including the facial features, hair, and clothing folds.

  5. step 05

    Add the details of the landscape, including the trees, buildings, and distant mountains.

  6. step 06

    Pay attention to the light source and how it affects the colors and values in the painting.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · alizarin crimson · viridian green · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create atmospheric perspective by adding blue to distant colors.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overmixing colors and creating muddy tones
  • →Failing to establish a clear light source
  • →Getting figure proportions wrong
  • →Ignoring the subtle color variations in the skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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