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home·artworks·Madonna and Child
Madonna and Child by Pietro Perugino

plate no. 2601

Madonna and Child

Pietro Perugino, 1495

oil, canvasHigh Renaissancereligious paintingfigurebabylandscapereligiousportraitclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, figure drawing, and achieving subtle gradations in skin tones. It also offers practice in creating a sense of depth through atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of figures.

  2. step 02

    Establish the background landscape with light washes of color.

  3. step 03

    Block in the main shapes of the figures, paying attention to the overall value structure.

  4. step 04

    Begin layering colors on the skin, building up subtle highlights and shadows.

  5. step 05

    Define the drapery and clothing, adding folds and details.

  6. step 06

    Refine the facial features, focusing on accurate proportions and expressions.

  7. step 07

    Add final details to the background, such as trees and distant hills.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of depth.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · viridian · yellow ochre · ivory black

Achieve skin tones by mixing white, red, and a touch of raw umber. Use viridian and yellow ochre to create muted greens for the landscape. Add ivory black to darken colors and create shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the subtle gradations.
  • →Making the background too detailed and distracting from the figures.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·viridian oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to make it easier to establish values.

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oil painting for beginners →how to learn by studying the masters →
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