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Madonna and Child by Barbara Longhi

plate no. 2546

Madonna and Child

Barbara Longhi, 1585

oil, canvasMannerism (Late Renaissance)religious paintingfigurereligiousMadonnachildbookdrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and drapery folds, as well as understanding the use of chiaroscuro to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main areas of color: the background, clothing, skin tones, and drapery.

  3. step 03

    Begin layering and blending the skin tones, paying close attention to the subtle variations in color and value.

  4. step 04

    Develop the drapery folds, using highlights and shadows to create a sense of volume.

  5. step 05

    Paint the details of the book, the child's hair, and the Madonna's features.

  6. step 06

    Refine the overall composition, adjusting values and colors as needed.

  7. step 07

    Add final highlights and details to create a sense of realism.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · red · yellow ochre · ivory black · titanium white

secondary · ultramarine blue · burnt umber

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and a hint of blue. The red drapery is muted with a touch of black or umber.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·drapery study

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to create a strong sense of depth and volume in the drapery.
  • →Getting the proportions of the figures wrong.
  • →Not blending colors sufficiently.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (red, yellow ochre, ivory black, titanium white, ultramarine blue, burnt umber)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Easel

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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