
plate no. 2546
Barbara Longhi, 1585
Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and drapery folds, as well as understanding the use of chiaroscuro to create depth and form.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement and proportions of the figures.
Block in the main areas of color: the background, clothing, skin tones, and drapery.
Begin layering and blending the skin tones, paying close attention to the subtle variations in color and value.
Develop the drapery folds, using highlights and shadows to create a sense of volume.
Paint the details of the book, the child's hair, and the Madonna's features.
Refine the overall composition, adjusting values and colors as needed.
Add final highlights and details to create a sense of realism.
Glaze to unify the colors and add depth.
color palette
primary · red · yellow ochre · ivory black · titanium white
secondary · ultramarine blue · burnt umber
Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and a hint of blue. The red drapery is muted with a touch of black or umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
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