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home·artworks·Madonna and Child and St Jerome
Madonna and Child and St Jerome by Benvenuto Tisi

plate no. 8559

Madonna and Child and St Jerome

Benvenuto Tisi, 1530

oilMannerism (Late Renaissance)religious paintingfigureslandscapedraperyarchitecturereligiouslion
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and atmospheric perspective in landscapes. It also provides practice in color mixing to achieve subtle skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and landscape elements.

  2. step 02

    Block in the main color masses for the figures, drapery, and background.

  3. step 03

    Develop the skin tones of the figures, paying attention to highlights and shadows.

  4. step 04

    Refine the drapery folds and textures, using a combination of blending and layering.

  5. step 05

    Paint the landscape background, focusing on atmospheric perspective to create depth.

  6. step 06

    Add details to the architectural elements and the lion.

  7. step 07

    Glaze the painting to unify the colors and add depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · cadmium red · yellow ochre

secondary · burnt umber · titanium white · viridian

Mix skin tones using titanium white, cadmium red, and yellow ochre, with small amounts of burnt umber for shadows. Create the blue drapery by mixing ultramarine blue with white and a touch of red. Achieve the green tones by mixing yellow ochre and viridian.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Neglecting the importance of accurate proportions in figure drawing.
  • →Ignoring atmospheric perspective in the landscape.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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