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home·artworks·Mademoiselle S'Nabou
Mademoiselle S'Nabou by Adolphe Yvon

plate no. 1240

Mademoiselle S'Nabou

Adolphe Yvon, 1892

oilRomanticismportraitportraitfiguredressjewelryhairlace
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and capturing subtle light variations. It also provides practice in depicting fabric textures and details like lace and jewelry.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the background color with a thin, even wash of a warm neutral tone.

  3. step 03

    Block in the main areas of color for the skin, hair, dress, and jewelry, paying attention to the overall value structure.

  4. step 04

    Begin to refine the skin tones, using subtle gradations of color to create form and dimension.

  5. step 05

    Add details to the hair, using short, broken brushstrokes to suggest texture.

  6. step 06

    Paint the dress, focusing on the folds and highlights. Use a dry brush technique to create the texture of the lace.

  7. step 07

    Add the jewelry, paying attention to the highlights and shadows. Use small brushes for detail.

  8. step 08

    Make final adjustments to the values and colors, ensuring that the overall painting is harmonious.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red light

secondary · yellow ochre · raw sienna

Mix various shades of brown and black with white to achieve the skin tones. Use red and white for the pink dress. Mix yellow ochre and white for the background.

techniques

  • ·portraiture
  • ·color mixing
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in the details before establishing the overall form.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Pre-toned canvas can help to achieve the warm background color.

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oil painting for beginners →how to learn by studying the masters →
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