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home·artworks·Madeleine Lerolle e sua figlia Yvonne
Madeleine Lerolle e sua figlia Yvonne by Paul-Albert Besnard

plate no. 2509

Madeleine Lerolle e sua figlia Yvonne

Paul-Albert Besnard, 1880

oilImpressionismportraitfigureportraitmotherchildinteriorbooks
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and subtle skin tones, as well as understanding how to create depth using value and color temperature.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and key elements.

  2. step 02

    Establish the background with broad, loose strokes, paying attention to the light and shadow.

  3. step 03

    Block in the main shapes of the figures, starting with the darkest areas of the mother's dress.

  4. step 04

    Begin to refine the skin tones, mixing subtle variations of color for highlights and shadows.

  5. step 05

    Add details to the faces, focusing on capturing the likeness and expressions of the subjects.

  6. step 06

    Work on the details of the clothing, paying attention to the folds and textures.

  7. step 07

    Add the details of the surrounding environment, such as the books and easel.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and harmonious image.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · cerulean blue · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of alizarin crimson. Use cerulean blue and white to create the light blue fabric. Mix ivory black with raw umber for the dark areas of the dress.

techniques

  • ·portraiture
  • ·value studies
  • ·chiaroscuro
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to capture the likeness of the subjects.
  • →Using colors that are too saturated or intense.
  • →Ignoring the importance of value in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium alkyd
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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