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home·artworks·Madame Lavergne and her husband
Madame Lavergne and her husband by Achille Devéria

plate no. 1747

Madame Lavergne and her husband

Achille Devéria, 1850

oil, canvasRomanticismhistory paintingcrowdfigureshorsesbuildingtownhistorical event
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and horses, as well as understanding how to create atmosphere and depth using a limited color palette and value contrast. It also provides practice in capturing dynamic poses and expressions.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements like the building, figures, and horses.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones, focusing on creating a sense of depth and atmosphere.

  3. step 03

    Gradually build up the details, starting with the focal point and working outwards, paying attention to the light and shadow.

  4. step 04

    Refine the figures and horses, adding details to their faces, clothing, and anatomy.

  5. step 05

    Use broken brushstrokes and subtle color variations to create texture and interest.

  6. step 06

    Pay close attention to the expressions and gestures of the figures to convey the emotion of the scene.

  7. step 07

    Add final highlights and details to enhance the sense of realism and drama.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of depth.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve the various browns and grays by mixing burnt umber, raw sienna, ivory black, and titanium white in different proportions. Use small amounts of cadmium red and yellow ochre to add warmth to certain areas, and ultramarine blue to cool down the shadows.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Getting bogged down in details too early, before establishing the overall composition and values.
  • →Using too many colors, which can make the painting look muddy and chaotic.
  • →Failing to create a strong focal point, which can make the painting feel unfocused.
  • →Ignoring the importance of light and shadow, which can flatten the image and reduce the sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·dammar varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the techniques used in this painting.

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