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home·artworks·Madame Cezanne Leaning on a Table
Madame Cezanne Leaning on a Table by Paul Cezanne

plate no. 8968

Madame Cezanne Leaning on a Table

Paul Cezanne, 1873

oil, canvasImpressionismportraitfigureportraittabledressinteriorchair
some experience helpful

Recreating this painting will help students develop skills in color mixing, particularly creating subtle variations of blues and grays, and in capturing form through visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the table.

  2. step 02

    Block in the background with broad strokes of blue and gray.

  3. step 03

    Establish the main values on the figure, focusing on the shadows and highlights.

  4. step 04

    Begin to refine the shapes of the face and hands, paying attention to the planes.

  5. step 05

    Add the details of the dress and the table, using visible brushstrokes to create texture.

  6. step 06

    Mix and apply the colors for the pink bow, adding subtle variations in tone.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and form.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · Prussian Blue · Titanium White · Raw Umber

secondary · Rose Madder · Yellow Ochre

Mix blues and whites to create the cool background. Use raw umber and white for the dress, adding small amounts of blue to create the gray tones. Mix rose madder and white for the pink bow.

techniques

  • ·Blocking in
  • ·Visible brushstrokes
  • ·Color mixing
  • ·Layering
  • ·Scumbling

common pitfalls

  • →Over-blending the colors, which can result in a flat, lifeless painting.
  • →Getting the proportions of the figure wrong, which can make the painting look awkward.
  • →Not paying attention to the values, which can flatten the form.
  • →Using too much detail, which can detract from the overall impression.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (Prussian Blue, Titanium White, Raw Umber, Rose Madder, Yellow Ochre)
  • ·Palette
  • ·Assorted brushes (flat and round)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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