
plate no. 3034
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones, as well as practice with depicting textures like lace.
technical profile
approach — 8 steps
Sketch the basic oval shape of the portrait and the placement of the figure.
Lightly sketch the main features of the face: eyes, nose, mouth, and hairline.
Block in the large areas of color: skin tones, dress, background, and hair.
Begin refining the skin tones, paying attention to highlights and shadows.
Add details to the face, such as the eyes, lips, and eyebrows.
Render the lace details of the dress and head covering.
Refine the background and add any final details.
Add final highlights and shadows to create depth and dimension.
color palette
primary · ivory black · raw umber · burnt sienna · titanium white
secondary · alizarin crimson · yellow ochre
Skin tones can be achieved by mixing white, burnt sienna, and a touch of alizarin crimson. Vary the proportions to create highlights and shadows. The background is a mix of raw umber and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke