apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Madame Aman Jean
Madame Aman Jean by Paul-Albert Besnard

plate no. 4113

Madame Aman Jean

Paul-Albert Besnard, 1898

etchingImpressionismportraitportraitfigurewomanheadovaletching
some experience helpful

Recreating this etching will help students understand how to build form and value using hatching and cross-hatching techniques. It also provides practice in simplifying a complex subject into a limited tonal range.

technical profile

palette complexity
2
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the head and hand.

  2. step 02

    Establish the darkest areas within the oval using dense cross-hatching.

  3. step 03

    Begin building up the mid-tones with lighter hatching, following the contours of the face and clothing.

  4. step 04

    Use varied line weights and spacing to create depth and shadow.

  5. step 05

    Pay close attention to the direction of the hatching to define the form.

  6. step 06

    Refine the details of the face, especially the eyes and mouth.

  7. step 07

    Add subtle hatching to the background outside the oval to create a sense of atmosphere.

  8. step 08

    Adjust the overall values to achieve a balanced and harmonious composition.

color palette

primary · sepia · ivory black

secondary · raw umber

Vary the dilution of sepia with water or medium to achieve different tonal values. Use raw umber to slightly warm the darker areas.

techniques

  • ·Hatching
  • ·Cross-hatching
  • ·Line weight variation
  • ·Dry brush
  • ·Scumbling

common pitfalls

  • →Creating overly uniform hatching, which can flatten the form.
  • →Ignoring the direction of the hatching, which can distort the form.
  • →Overworking the details, which can make the image look stiff.
  • →Failing to establish a clear value structure, which can result in a muddy image.

materials

surface · Smooth drawing paper

required

  • ·Pencil (2H or HB)
  • ·Eraser
  • ·Fine-tipped drawing pens (various sizes)
  • ·Smooth drawing paper
  • ·Ruler
  • ·Reference image
  • ·Tracing paper

optional

  • ·Magnifying glass
  • ·Gray scale markers
  • ·Blending stump

Choose a paper that can handle fine lines without feathering. Experiment with different pen sizes to achieve varied line weights.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann