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home·artworks·Machining a Blank for Jerricans at Williams & Williams, Chester
Machining a Blank for Jerricans at Williams & Williams, Chester by Ethel Léontine Gabain

plate no. 3218

Machining a Blank for Jerricans at Williams & Williams, Chester

Ethel Léontine Gabain

oilNeo-Romanticismgenre paintingfiguremachineryfactoryinteriorindustrywindow
experienced study

Recreating this painting will help students develop skills in rendering complex mechanical forms and understanding subtle value shifts to create depth and form. It also provides practice in painting figures in an industrial setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and machinery.

  2. step 02

    Block in the large shapes and areas of color using thin washes.

  3. step 03

    Establish the light and shadow patterns, focusing on the overall value structure.

  4. step 04

    Begin to refine the details of the machinery, paying attention to the shapes and textures.

  5. step 05

    Develop the figure, focusing on accurate proportions and subtle value changes to create form.

  6. step 06

    Add highlights and details to create a sense of realism.

  7. step 07

    Refine the background and surrounding environment.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and balanced painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · payne's gray

Achieve the various shades of grey and brown by mixing raw umber, titanium white, and small amounts of yellow ochre or burnt sienna. Use payne's gray for the darker shadows and metal tones.

techniques

  • ·blocking in
  • ·value studies
  • ·layering
  • ·blending
  • ·rendering metal

common pitfalls

  • →getting lost in the details too early
  • →inaccurate proportions of the machinery
  • →overly harsh value contrasts
  • →muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·payne's gray oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas to allow for layering and blending. Consider using a toned canvas to establish a base value.

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oil painting for beginners →how to learn by studying the masters →
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