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home·artworks·Lungo l'Ofanto
Lungo l'Ofanto by Giuseppe de Nittis

plate no. 9902

Lungo l'Ofanto

Giuseppe de Nittis, 1870

oilImpressionismlandscapelandscapeskytreespathwaterfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a sense of depth. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and the placement of major elements.

  2. step 02

    Establish the sky with broad strokes, blending light and dark tones to create cloud formations.

  3. step 03

    Block in the distant landscape and water, using muted colors to suggest depth.

  4. step 04

    Paint the line of trees, varying the color and size of the trees to create a natural look.

  5. step 05

    Lay down the base color for the path, then add texture with visible brushstrokes to simulate dirt and gravel.

  6. step 06

    Add the green field and bushes, varying the shades of green and adding small details like flowers.

  7. step 07

    Paint the figure on the path with simple shapes and muted colors.

  8. step 08

    Add final details and highlights to enhance the overall impression.

color palette

primary · yellow ochre · raw umber · titanium white · cerulean blue

secondary · sap green · cadmium red light

Mix various shades of brown and green by combining yellow ochre, raw umber, and cerulean blue. Use titanium white to lighten colors and create highlights.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·dry brush texture
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the loose, impressionistic feel.
  • →Using too much detail in the distant landscape, which can flatten the image.
  • →Creating overly saturated colors that detract from the overall harmony.
  • →Neglecting the importance of value in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·sap green oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a medium-sized canvas (e.g., 16x20 inches) to allow for sufficient detail without being overwhelming. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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