
plate no. 7885
Pierre-Auguste Renoir, 1881
From the record
from the sources
The painting was shown at the Seventh Impressionist Exhibition in 1882, where three critics identified it as the best painting in the show. en.wikipedia.org
“Exhibited at the Seventh Impressionist Exhibition in 1882, it was identified as the best painting in the show by three critics.”
Paul Durand-Ruel bought the painting from Renoir, and Duncan Phillips later bought it in 1923 from Durand-Ruel's son. en.wikipedia.org
“It was purchased from the artist by the dealer-patron Paul Durand-Ruel and bought in 1923 (for $125,000) from his son by industrialist Duncan Phillips, who spent a decade in pursuit of the work.”
The painting is held in The Phillips Collection in Washington, D.C. en.wikipedia.org
“It is now in The Phillips Collection in Washington, D.C.”
The scene shows friends of Renoir relaxing on a balcony at the Maison Fournaise restaurant beside the Seine at Chatou. en.wikipedia.org
“depicts a group of Renoir's friends relaxing on a balcony at the Maison Fournaise restaurant along the Seine river in Chatou, France.”
Aline Charigot, who later became Renoir's wife, was painted in the foreground in place of an earlier model with whom Renoir had become annoyed. en.wikipedia.org
“she replaced an earlier woman who sat for the painting but with whom Renoir became annoyed.”
The painting is thought to show the influence of Paolo Veronese, particularly his Wedding Feast at Cana, on Renoir's style. en.wikipedia.org
“The painting is thought to show the influence of Italian Renaissance painter Paolo Veronese on Renoir's style, in particular, The Wedding Feast at Cana (1563)”
The sitters in the painting were identified in 1912 by Julius Meier-Graefe. en.wikipedia.org
“Identification of the sitters was made in 1912 by Julius Meier-Graefe.”
At the 1882 exhibition the painting generally received praise from critics. en.wikipedia.org
“At the Seventh Impressionist Exhibition in 1882, the painting generally received praise from critics.”
approach — 8 steps
Begin with careful linear drawing to establish all figure positions and proportions
Block in major color areas with thin paint, establishing warm and cool zones
Develop the central table and white tablecloth as the compositional anchor
Work on flesh tones systematically, comparing warm and cool skin colors
Paint the striped awning to establish the overhead lighting pattern
Render clothing textures and patterns with confident brushwork
Add bottles, glasses, and table objects with precise observation
Refine facial expressions and final highlights throughout
color palette
primary · cadmium orange · ultramarine blue · burnt sienna · titanium white
secondary · cadmium red · yellow ochre · viridian green · raw umber
Mix flesh tones by combining orange, white, and small amounts of blue or red. Create rich darks by mixing complementary colors rather than using black.
techniques
common pitfalls
surface · large stretched canvas with medium texture
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This is an advanced masterwork requiring significant experience with figure painting and color theory
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