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home·artworks·Luncheon of the Boating Party
Luncheon of the Boating Party by Pierre-Auguste Renoir

plate no. 7885

Luncheon of the Boating Party

Pierre-Auguste Renoir, 1881

oilImpressionismgenre paintingfiguresdiningawningbottlesclothingsocial scene

From the record

Dimensions
130.2 cm high × 175.6 cm wide
Institution
The Phillips Collection
Location
The Phillips Collection
Inception
1880
Materials
oil paint, canvas
Movement
Impressionism
  • Affenpinscher
  • Aline Charigot
  • Charles Ephrussi
  • top hat
  • cap
  • Ellen Andrée
  • cup
  • boater

Wikipedia article · Wikidata item Q1167907

from the sources

  • The painting was shown at the Seventh Impressionist Exhibition in 1882, where three critics identified it as the best painting in the show. en.wikipedia.org

    “Exhibited at the Seventh Impressionist Exhibition in 1882, it was identified as the best painting in the show by three critics.”

  • Paul Durand-Ruel bought the painting from Renoir, and Duncan Phillips later bought it in 1923 from Durand-Ruel's son. en.wikipedia.org

    “It was purchased from the artist by the dealer-patron Paul Durand-Ruel and bought in 1923 (for $125,000) from his son by industrialist Duncan Phillips, who spent a decade in pursuit of the work.”

  • The painting is held in The Phillips Collection in Washington, D.C. en.wikipedia.org

    “It is now in The Phillips Collection in Washington, D.C.”

  • The scene shows friends of Renoir relaxing on a balcony at the Maison Fournaise restaurant beside the Seine at Chatou. en.wikipedia.org

    “depicts a group of Renoir's friends relaxing on a balcony at the Maison Fournaise restaurant along the Seine river in Chatou, France.”

  • Aline Charigot, who later became Renoir's wife, was painted in the foreground in place of an earlier model with whom Renoir had become annoyed. en.wikipedia.org

    “she replaced an earlier woman who sat for the painting but with whom Renoir became annoyed.”

  • The painting is thought to show the influence of Paolo Veronese, particularly his Wedding Feast at Cana, on Renoir's style. en.wikipedia.org

    “The painting is thought to show the influence of Italian Renaissance painter Paolo Veronese on Renoir's style, in particular, The Wedding Feast at Cana (1563)”

  • The sitters in the painting were identified in 1912 by Julius Meier-Graefe. en.wikipedia.org

    “Identification of the sitters was made in 1912 by Julius Meier-Graefe.”

  • At the 1882 exhibition the painting generally received praise from critics. en.wikipedia.org

    “At the Seventh Impressionist Exhibition in 1882, the painting generally received praise from critics.”

study guide

est. 80 hrs

approach — 8 steps

  1. step 01

    Begin with careful linear drawing to establish all figure positions and proportions

  2. step 02

    Block in major color areas with thin paint, establishing warm and cool zones

  3. step 03

    Develop the central table and white tablecloth as the compositional anchor

  4. step 04

    Work on flesh tones systematically, comparing warm and cool skin colors

  5. step 05

    Paint the striped awning to establish the overhead lighting pattern

  6. step 06

    Render clothing textures and patterns with confident brushwork

  7. step 07

    Add bottles, glasses, and table objects with precise observation

  8. step 08

    Refine facial expressions and final highlights throughout

color palette

primary · cadmium orange · ultramarine blue · burnt sienna · titanium white

secondary · cadmium red · yellow ochre · viridian green · raw umber

Mix flesh tones by combining orange, white, and small amounts of blue or red. Create rich darks by mixing complementary colors rather than using black.

techniques

  • ·broken color application
  • ·flesh tone modeling
  • ·pattern rendering
  • ·atmospheric perspective

common pitfalls

  • →overworking facial details too early
  • →making all flesh tones the same temperature
  • →losing compositional unity among many figures
  • →painting clothing patterns too rigidly

materials

surface · large stretched canvas with medium texture

required

  • ·oil paints in full range
  • ·#2, #6, #10 flat brushes
  • ·#4, #8 filbert brushes
  • ·large primed canvas 51x69 inches
  • ·palette knife
  • ·turpentine
  • ·linseed oil
  • ·palette paper

optional

  • ·fan brush for blending
  • ·small detail brushes
  • ·mahlstick for steadying hand
  • ·medium for glazing

This is an advanced masterwork requiring significant experience with figure painting and color theory

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oil painting for beginners →color theory for painters →how to learn by studying the masters →
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