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home·artworks·Lunch time
Lunch time by Felix Schlesinger

plate no. 6984

Lunch time

Felix Schlesinger

oilRomanticismgenre paintingboydogfoodinteriorbasketfigure
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures, capturing subtle light and shadow, and creating a sense of depth through atmospheric perspective. It also offers practice in depicting textures like fabric, fur, and wood.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boy, dog, and basket.

  2. step 02

    Establish the background with thin washes of color, paying attention to the light source.

  3. step 03

    Block in the main shapes of the boy and dog, using simplified color values.

  4. step 04

    Develop the details of the boy's clothing and facial features, adding highlights and shadows.

  5. step 05

    Refine the dog's fur and expression, using small brushstrokes to create texture.

  6. step 06

    Add details to the basket and surrounding environment, such as the hay and the chicken.

  7. step 07

    Adjust the overall color harmony and value range to create a cohesive image.

  8. step 08

    Add final details and highlights to enhance the realism and visual interest.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red · ultramarine blue · sap green

Mix various shades of brown and gray by combining burnt umber, yellow ochre, and ivory black with varying amounts of titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle variations in skin tones and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking details too early
  • →Ignoring the overall value structure
  • →Using colors straight from the tube without mixing
  • →Failing to establish a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paints.

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oil painting for beginners →how to learn by studying the masters →
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