apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lunch
Lunch by George Tooker

plate no. 9074

Lunch

George Tooker, 1964

temperaMagic Realismgenre paintingfigureslunchinteriorpeopletableoffice
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing, layering, and creating a sense of depth through atmospheric perspective and value control. It also provides practice in rendering realistic skin tones and clothing folds.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the figures and the background elements.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin layering in the local colors, starting with the background and working forward.

  4. step 04

    Carefully mix and apply the subtle variations in skin tones, paying attention to the light source.

  5. step 05

    Refine the details of the clothing, hair, and facial features.

  6. step 06

    Add the highlights and shadows to create a sense of form and volume.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Make final adjustments to the values and colors to achieve the desired effect.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use thin glazes to build up color and create subtle variations.

techniques

  • ·glazing
  • ·layering
  • ·subtle color mixing
  • ·atmospheric perspective
  • ·value control

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Using too much paint, which can obscure the subtle details.
  • →Ignoring the importance of value in creating form and depth.
  • →Rushing the process and not allowing enough time for each layer to dry.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·small round brushes
  • ·medium flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Birth of the Earth

Birth of the Earth

Nina Tokhtaman Valetova

Soundscape

Soundscape

Abdul Mati Klarwein

Le poisson choa

Le poisson choa

Nicolae Maniu

Hidden Pasture

Hidden Pasture

Eyvind Earle

Pacific

Pacific

Alex Colville

Poet With Flower

Poet With Flower

Stefan Caltia

Canzone

Canzone

Antonio Donghi

Sphinx

Sphinx

Nicolae Maniu