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home·artworks·Lucrezia Panciatichi
Lucrezia Panciatichi by Agnolo Bronzino

plate no. 0131

Lucrezia Panciatichi

Agnolo Bronzino, 1540

oil, panelMannerism (Late Renaissance)portraitportraitfiguredressjewelrybookarchitecture
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending, as well as rendering fabric and jewelry details.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Block in the main areas of color, starting with the background and then the dress and skin tones.

  3. step 03

    Begin refining the skin tones, using subtle layers of color to create depth and form.

  4. step 04

    Develop the details of the dress, paying attention to the folds and highlights.

  5. step 05

    Add the jewelry and other accessories, focusing on their textures and reflective qualities.

  6. step 06

    Refine the background and add any final details.

  7. step 07

    Glaze to unify the painting and adjust values.

  8. step 08

    Add final highlights and shadows.

color palette

primary · rose madder · ivory black · yellow ochre · titanium white

secondary · raw umber · gold · crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of rose madder. Use raw umber and ivory black to create the dark background and shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·fabric rendering
  • ·jewelry rendering

common pitfalls

  • →Incorrect proportions of the figure
  • →Overblending of skin tones
  • →Inaccurate rendering of fabric folds
  • →Lack of attention to detail in the jewelry

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (rose madder, ivory black, yellow ochre, titanium white, raw umber, crimson)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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