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home·artworks·Lucrezia di Baccio del Fede, the Artist's Wife
Lucrezia di Baccio del Fede, the Artist's Wife by Andrea del Sarto

plate no. 7597

Lucrezia di Baccio del Fede, the Artist's Wife

Andrea del Sarto, 1514

oil, panelHigh Renaissanceportraitportraitfigurewomanclothingheadwearjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also provide practice in blending and creating subtle gradations of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a toned ground (e.g., burnt umber wash).

  2. step 02

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the placement of key features.

  3. step 03

    Block in the main areas of color, focusing on the overall value structure.

  4. step 04

    Begin layering and blending the skin tones, using thin glazes of color to build up depth and luminosity.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Paint the clothing, paying attention to the folds and drapery.

  7. step 07

    Add the jewelry and headwear, carefully rendering the details.

  8. step 08

    Make final adjustments to the values and colors to achieve a sense of realism and harmony.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, sienna, and a touch of red. Use umber and black to create shadows. Mix red and umber for the dress.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the luminosity.
  • →Failing to capture the likeness of the subject.
  • →Not paying enough attention to the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany palette

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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