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home·artworks·Lucia Elizabeth Vestris
Lucia Elizabeth Vestris by Robert William Buss

plate no. 4386

Lucia Elizabeth Vestris

Robert William Buss, 1833

oilRomanticismportraitportraitfiguredresshairfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting fabric and creating soft, diffused lighting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the pose and overall composition.

  2. step 02

    Establish the background color with a thin wash of brown and ochre.

  3. step 03

    Block in the main areas of color for the skin, dress, and hair, focusing on the overall value structure.

  4. step 04

    Begin refining the skin tones, using subtle gradations of color to create form and volume.

  5. step 05

    Develop the details of the dress, paying attention to the folds and highlights.

  6. step 06

    Add details to the hair, using small brushstrokes to create texture and volume.

  7. step 07

    Refine the facial features, focusing on capturing the likeness of the subject.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · titanium white · burnt umber · cadmium red light · yellow ochre

secondary · ivory black · raw sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. The dress color is created by mixing red and white, with variations in value achieved by adding umber or white.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of accurate proportions in the initial sketch.
  • →Applying paint too thickly, obscuring the underlying layers.
  • →Failing to create a smooth transition between values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paint and improve its flow.

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oil painting for beginners →how to learn by studying the masters →
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