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home·artworks·Low tide, Roundstone
Low tide, Roundstone by Tom Scott

plate no. 3457

Low tide, Roundstone

Tom Scott

oilImpressionismlandscapeboatswaterbuildingsskytreeslandscape
some experience helpful

Recreating this painting will help students develop skills in layering paint to create depth and using broken color to represent textures. It also provides practice in capturing reflections in water and simplifying complex scenes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boats, buildings, and horizon line.

  2. step 02

    Establish the sky with light blue and white, blending softly.

  3. step 03

    Block in the large shapes of the buildings with muted colors, paying attention to their relative values.

  4. step 04

    Paint the water with horizontal strokes, using blues, browns, and grays to suggest reflections.

  5. step 05

    Add the boats, starting with the dark underpainting and then layering lighter colors for highlights.

  6. step 06

    Paint the foliage with short, broken strokes of green and brown.

  7. step 07

    Refine the details of the buildings and boats, adding small highlights and shadows.

  8. step 08

    Add final touches to the reflections in the water.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · cadmium red · sap green

Mix various shades of blue and gray for the sky and water. Use burnt umber and yellow ochre to create the earthy tones for the land and boats. Add small amounts of cadmium red to warm up the browns.

techniques

  • ·broken color
  • ·layering
  • ·wet-on-dry
  • ·scumbling
  • ·alla prima

common pitfalls

  • →overworking the details
  • →making the colors too saturated
  • →not establishing a clear focal point
  • →inaccurate proportions of the boats and buildings

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#8 flat brush
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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