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home·artworks·Low Tide
Low Tide by Thomas Pollock Anshutz

plate no. 8973

Low Tide

Thomas Pollock Anshutz, 1897

oilImpressionismgenre paintingboatfigurewaterskygrasslandscape
suitable for beginners

Recreating this painting will help students develop skills in atmospheric perspective and subtle color mixing to create a sense of depth and light. It also provides practice in capturing reflections in water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
2
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the horizon line, boat, figure, and distant land.

  2. step 02

    Establish the sky with a thin wash of pale blue and gray, blending the colors softly.

  3. step 03

    Paint the distant landmass with horizontal strokes of green, blue, and brown, using a slightly darker value than the sky.

  4. step 04

    Block in the larger areas of grass with varying shades of green, adding touches of brown and blue for depth.

  5. step 05

    Paint the boat with a light gray, paying attention to the shape and proportions.

  6. step 06

    Add the figure in the boat, using a mix of browns, whites, and grays for clothing and skin tones.

  7. step 07

    Create the water with horizontal strokes of pale green, gray, and blue, reflecting the colors of the sky and land.

  8. step 08

    Add subtle reflections of the boat and figure in the water, using slightly darker values.

color palette

primary · titanium white · cerulean blue · yellow ochre · sap green

secondary · burnt umber · alizarin crimson · ultramarine blue

Mix various greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Create grays by mixing white with small amounts of burnt umber and blue. Achieve atmospheric perspective by lightening colors with white as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·wet-on-dry blending
  • ·horizontal brushstrokes
  • ·reflection techniques

common pitfalls

  • →Overworking the details
  • →Using colors that are too saturated
  • →Ignoring the subtle value changes
  • →Incorrect proportions of the boat and figure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·easel
  • ·painting medium
  • ·varnish

A smooth canvas surface will help achieve the soft, blended effects in this painting. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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