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home·artworks·Low Life
Low Life by Edwin Henry Landseer

plate no. 9396

Low Life

Edwin Henry Landseer, 1829

oil, canvasRomanticismanimal paintingdoginteriorstill lifeanimalbrickmetal pitcher
some experience helpful

Recreating this painting will help students practice rendering fur texture and capturing subtle tonal variations in a limited color palette. It also provides practice in creating a sense of depth and form through careful observation of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to proportions.

  2. step 02

    Establish the main light and shadow areas with a thin wash of burnt umber.

  3. step 03

    Block in the background elements, starting with the darkest areas.

  4. step 04

    Begin layering the dog's fur, using a mix of warm and cool tones.

  5. step 05

    Add details to the dog's face, focusing on the eyes and nose.

  6. step 06

    Refine the details of the metal pitcher and other still life elements.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · raw sienna · ivory black · payne's gray

Mix white with small amounts of yellow ochre and burnt umber to create the dog's fur. Use ivory black and burnt umber for the dark areas, and mix white with a touch of Payne's gray for the metal pitcher.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the fur and losing the sense of softness.
  • →Failing to capture the subtle tonal variations in the dog's coat.
  • →Ignoring the importance of the background in creating depth.
  • →Getting the proportions of the dog wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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