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home·artworks·Love's Passing
Love's Passing by Evelyn De Morgan

plate no. 3924

Love's Passing

Evelyn De Morgan, 1884

oilRomanticismsymbolic paintingfigureswingslandscapewaterbridgebook
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering skin tones and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on accurate proportions and placement of figures and key elements.

  2. step 02

    Block in the main shapes and colors, establishing the overall composition and value structure.

  3. step 03

    Develop the background elements, including the landscape, water, and bridge, paying attention to atmospheric perspective.

  4. step 04

    Refine the figures, focusing on accurate anatomy, drapery, and facial expressions.

  5. step 05

    Add details to the wings, book, and other elements, enhancing the realism and visual interest.

  6. step 06

    Develop the skin tones, using subtle color variations to create a sense of depth and form.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the figures and objects.

  8. step 08

    Apply final glazes to unify the painting and create a sense of atmosphere.

color palette

primary · burnt sienna · raw umber · titanium white · alizarin crimson

secondary · yellow ochre · ultramarine blue · ivory black

Mix various shades of brown and red by combining burnt sienna, raw umber, and alizarin crimson. Use titanium white to lighten these colors and create highlights. Add small amounts of ultramarine blue to create cooler shadows.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·glazing
  • ·color blending

common pitfalls

  • →Incorrect proportions of figures
  • →Flat or lifeless skin tones
  • →Overly harsh or abrupt transitions between colors
  • →Neglecting atmospheric perspective in the background

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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