
plate no. 4644
Ethel Carrick, 1909
Recreating this painting will help students develop skills in portrait painting, capturing light and shadow on fabric, and using broken color to create texture and depth. It also provides practice in depicting foliage with varied greens and yellows.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the figure's pose and the placement of the foliage.
Establish the background foliage using a variety of green and yellow hues, applying broken color with visible brushstrokes.
Block in the figure's skin tones, paying attention to the light and shadow on the face and hands.
Start building the form of the dress, using light and shadow to create folds and volume.
Refine the details of the face, including the eyes, nose, and mouth.
Add the pink ribbons and the flower, paying attention to their color and form.
Adjust the overall values and colors to create a sense of harmony and balance.
Add final details and highlights to complete the painting.
color palette
primary · titanium white · viridian green · yellow ochre · burnt umber
secondary · cadmium yellow · alizarin crimson · raw sienna
Mix various greens by combining viridian green with yellow ochre and cadmium yellow. Achieve skin tones by blending titanium white, burnt umber, and alizarin crimson. Use white to lighten colors and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas to allow for sufficient detail. Consider using a limited palette to simplify the color mixing process.
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