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home·artworks·Lover's Walk, Dolgelly
Lover's Walk, Dolgelly by Thomas Stuart Smith

plate no. 8477

Lover's Walk, Dolgelly

Thomas Stuart Smith, 1867

oilRomanticismlandscapetreespathlandscapefoliagelightfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering of values and colors. It also provides practice in rendering foliage and dappled light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the path, the trees, and the distant field.

  2. step 02

    Establish the darkest darks in the foreground foliage and tree trunks.

  3. step 03

    Block in the mid-tones of the path and the shadowed areas of the trees.

  4. step 04

    Apply the lightest values to the sunlit field and highlights on the leaves.

  5. step 05

    Layer in details of the foliage, using broken brushstrokes to suggest texture.

  6. step 06

    Soften edges and blend colors to create atmospheric perspective.

  7. step 07

    Add the figures and the dog as small details.

  8. step 08

    Refine the highlights and shadows to enhance the sense of light and depth.

color palette

primary · sap green · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the sunlit field color by mixing cadmium yellow with titanium white and a hint of sap green. Use alizarin crimson and burnt umber for the darker browns.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·layering

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Making the colors too saturated, resulting in an unnatural look.
  • →Failing to establish a strong value structure, leading to a flat painting.
  • →Ignoring the subtle color shifts in the foliage and path.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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